Renowned choreographer and “punk ballerina” Karole Armitage and her company, Armitage Gone! Dance, present Art of the In-Between, a riotous celebration of Mexico’s rich mixture of Indigenous and European cultures.Read More
Ron Chernow, award-winning author of Washington: A Life and Alexander Hamilton (the biographical inspiration behind the musical phenomenon), applies his peerless approach to the complicated figure of Ulysses S. Grant in this exploration of the story behind the larger-than-life general and president.
National Sawdust and AdHoc hosted legendary band LOW’s live performance of tracks from their new album Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low’s career.
To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver’s home studio, April Base.
There are Shakespeare kings, and then there is Lear—rain-raving madman, dad with daughter issues, and a role that actors wait a lifetime to play. In this bold offering from RSC Artistic Director Gregory Doran and the Royal Shakespeare Company (King and Country: Shakespeare’s Great Cycle of Kings, 2016 Winter/Spring), inimitable Olivier Award-winning actor Sir Antony Sher (Falstaff in Henry IV, Parts I & II, 2016 Winter/Spring) rises to that teetering throne, giving a career-defining performance as the all-too-trusting monarch in the twilight of his sanity. Beneath a pagan sun that gives way to a bleak winter, Sher’s Lear growls, inhabiting the self-searching conscience of a king who—after unwisely divesting his lands to the wrong people—causes heads to roll.
Directed by Gregory Doran
Set design by Niki Turner
Lighting design by Tim Mitchell
Music by Ilona Sekacz
Sound design by Jonathan Ruddick
Movement by Michael Ashcroft
Fights by Bret Yount